Thursday, September 4, 2025 from 6:00-7:30 PM
The Guest Critic series is concluding it’s 2025 series, and we’re thrilled to welcome Taylor Bythewood-Porter to Kansas City on September 4 from 6:00–7:30 PM! Join us for a public critique in the Charlotte Street Stern Theater, lead by Jovanna followed by an opportunity for audience critique and Q&A.
Check back soon for more information on the artists participating in The Guest Critic: Taylor Bythewood-Porter.
ABOUT THE GUEST CRITIC
Charlotte Street presents The Guest Critic, a three-part programming series that will bring nationally recognized curators to Kansas City for a public artist critique. The 2025 series will feature: TK Smith (Curator, Michael C. Carlos Museum at Emory University, Atlanta, GA), Jovanna Venegas (Curator, SculptureCenter, New York, NY), and Taylor Bythewood-Porter (Curator, Museum of Riverside, Riverside, CA).
The Guest Critic is a critique series, which pairs national curators with Kansas City artists who have either exhibited work in a contemporary space outside of Kansas City, or completed a national or international residency. The program will take place in the Charlotte Street Stern Theater, where works will be staged for a public critique with our guest curators, and the artists will be selected by program facilitators Yashi Davalos and Kimi Kitada. At the end of the curator’s critique, the audience will have an opportunity to engage in critiques and Q&A.
ABOUT TAYLOR BYTHEWOOD-PORTER
Taylor Bythewood-Porter is a curator and writer. She is the current Curator of History at the Museum of Riverside (MoR). In 2023, she received the American Association for State and Local History Award of Excellence for her exhibition Rights and Rituals: The Making of African American Debutante Culture (2021) at the California African American Museum (CAAM). Prior to her appointment at MoR and doing independent projects, Bythewood-Porter was an Assistant Curator at CAAM and co-curated Tatyana Fazlalizadeh: Speaking to Falling Seeds (2023), Cross Colours: Black Fashion in the 20th Century (2020), The Liberator: Chronicling Black Los Angeles, 1900–1914 (2019), Making Mammy: A Caricature of Black Womanhood, 1840–1940 (2019), California Bound: Slavery on the New Frontier, 1848–1865 (2018), and Los Angeles Freedom Rally, 1963 (2018). She also contributed to How Sweet the Sound: The History of Gospel Music in Los Angeles (2018), Circles and Circuits 1: History and Art of the Chinese Caribbean Diaspora (2017), and Lezley Saar: Salon des Refúse (2017). She holds a Master of Arts in art business with a concentration in contemporary art from Sotheby’s Institute of Art at Claremont Graduate University and a Bachelor of Arts in Communications with a focus on public relations and journalism and a minor in art history from Monmouth University.
